"Girl Hood" is a documentary film directed and produced by Liz Garbus that follows two teenage girls, Shanae and Megan, over the span of three years, from the time they are in the all-girls juvenile detention center at Thomas J.S Waxter Children's Center in Laurel, Maryland, to when they are out in the real world. She receives more family support than Megan is, but she does not seem to reciprocate it at the beginning of the film. Furthermore, at the end of the documentary, she enrolls in a community college nearby. This documentary really touched me and made me so much more grateful for my environment and support. Film Review by Frederic and Mary Ann Brussat The second part of Garbus film follows Shanae and Megans lives after leaving Waxter. Both girls ended up in the Waxter Juvenile Facility, home to Maryland's most violent offenders.Academy Award nominated director Liz Garbus follows Shanae and Megan for the next three years, as they try to make a life for themselves both inside and outside of Baltimore's juvenile justice system. This leads to her eventual rehabilitation from delinquency. Megan is 16 and is in Waxter for Assault with a deadly weapon. Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. What Shows Have Been Renewed or Canceled. This led to a pregnancy at the age of 11 which her mother arranged for her to have terminated because it was feared that because of Shanaes heavy-drinking the baby would have fetal alcohol syndrome. "I didn't know how to love anybody or to depend on people because I never had anyone stable enough in my life to actually show me that kind of love and compassion.". Megan had given up, and even ended up back in jail. After her release, 19-year-old Megan appeared on "The Oprah Winfrey Show" alongside another troubled teen, Shanae. The other protagonist is Megan, a troublesome mixed race teen who has a tattoo going up her right arm and is always giggly thinking everything is not serious. "I'm happy now.". Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, t. An Ijaw Story: JOURNEY TO THE PRESENCE OF WOYINGI, Africas 100 Best Books of the 20th Century, African Regional Links: Central/Middle Africa, Literature from the Black African Diaspora, Documentary Review: girlhood by Liz Garbus, Countries: Democratic Republic of Congo (DRC), Black Canadians of Afro-Caribbean Descent. As a left-wing filmmaker, she worried that this appeared to be some sort of right-wing Family Values advocate conclusion. The protagonists are Shanae Owens and Megan Jensen. Girlhood was shown at the 2003 Tribeca Film Festival and at the South by Southwest Film Festival, where it won the Audience Award. The system essentially gives up on trying to control her and turns her loose to fend for herself. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center.Documentary chronicling America's justice system. Garbus followed Shanaes suggestion and was determined to include her in her film. Girlhood | Film Review | Spirituality & Practice [ClickEssay Writerto order your essay]. Follows two female inmates - victims of horrific violence and tragedy - who are serving time in a Maryland juvenile detention center. The film left me with mixed feelings about the girls who crave love but seem so self-absorbed that they show so little concern for anyone else not in their radar, as I questioned what kind of punishment should there be for girls who commit violent crimes. Issues such as child neglect, failure of the foster care system, alcoholism and drug abuse. Before starting the film girlhood, she actually meant to do a film about young men in juvenile detention centres because from her work on the film Angola, she was intrigued and disturbed by how many of the inmates there said they had learned the tricks of their trade from their experiences in juvenile detention. She is briefly reunited with her mother but cannot forgive her for not being there when she needed her most. One of the most educational parts of the film I felt was the example set by Antoinette. This problem has been solved! Just last week Waxter made headline news in Maryland after having been labeled by one childrens rights advocate as a house of horrors. At Waxter, girls like Shanae who have been sentenced for crimes, girls who would make mincemeat of the fillies in Thirteen, are placed alongside those who, as one news story put it, have not been found guilty of anything yet. Except, perhaps, being born poor and grievously disadvantaged. The girls crimes obviously color their experiences of girlhood, but they are humanized by Garbus editorial choices through camera angles, the stories we hear, the presentation of various sympathetic or irresponsible adults that accessorize and control the girls lives. Liz Garbus made The Farm: Angola, USA in 1998, a riveting documentary about six men in a Louisiana penitentiary; it was nominated for an Academy Award. Essay Sample Check Writing Quality. This may be a psychological scar due to her relationship with her mother. ~ (Source: Josh Ralske, All Movie Guide). Feb 26th, 2022 Published. In an interview with NPR, the films director, Liz Garbus, admits that Girlhood was originally a documentary about incarcerated boys, but the girls stories were more interesting to her. Be sure to answer all parts to each question. But its staff emerges as a caring if overstressed group of people who do what they can to steer the girls in their charge toward a productive life. One perspective on the film Girl Hood is that it is a highly informative documentary film in which the director does a spectacular job revealing to the world the issues young women such as Megan and Shanae face on a daily basis. http://www.rottentomatoes.com/m/girlhood Assignment #2 In class we viewed documentary titled Girlhood, the film surrounded two teenage girls named Megan and Shanae. They both received open-ended sentences and their release depends on their current jail behavior. In Garbus film, Shanae and Megans girlhood set up a dichotomy: girlhood is good, everything else threatening, extraneous and intrusive, instead of part of the story of girlhood itself. Everything is "for the children"; however, this is powerful evidence to the contrary. Solved In the documentary "Girlhood, " the two | Chegg.com The film then narrows its focus to concentrate on the lives of two teenagers, Shanae Owens and Megan Jensen, both incarcerated for assault at the Waxter Juvenile Facility in Baltimore. Garbus, director of the acclaimed prison documentary, The Farm: Angola, USA, examines the disparate fates of these girls and their very different treatment at the hands of the juvenile justice system. Second, she is unable to regulate her emotions (Garbus, 2003). "Oprah: Where Are They Now?" Megan's mother was a drug-addled prostitute, and after being placed in, and escaping from, nearly a dozen foster homes, Megan committed a violent crime. Megan was shuffled through 11 different foster homes, running away from all except one. Confronted with her crime, Shanae is strangely detached and has little memory of the incident. Shanaes ability to feel remorse for her actions is seen as a key benchmark that needs to be achieved before she can leave Waxter. This presumption is damaging because ultimately Garbus makes uncomplicated subjects of the girls. The film pivots from the girls to their relationships with their moms, as Garbus follows their development from girls into young ladies. Last night I watched a documentary called, GIRLHOOD based on two young girls in the Baltimore juvenile detention center, Waxter. Garbus, L. (Director). After watching the documentary, it is easy to see that Megans environment has contributed greatly to her childhood and ultimately her adult life. Her father's locked up. The difference between one girl supposedly climbing out of her bad situation and the other continuing in her dead-end path, is seen as a matter of good parenting and a child willing to change her bad ways. Your email address will not be published. However, Garbus suggests that this is due to the lack of adequate recreational activities in Waxter (Garbus, 2003). Obviously, the director, Liz Garbus, wants to achieve in a documentary the power and. In the end, it seems the title Girlhood is both revealing and a misnomer: this film is about the liminal space of girlhoods colored by destabilizing events in their lives (and the larger systems and circumstances dictated by a society that easily discards the humanity of girls, people of color, queer people, differently abled people and poor people). Shanae Owens and Megan Jensen in girlhood. We follow them over a period of about three years. Because of the serious nature of her crime Shanae has been locked up for over two years and is anxious to go home when the film begins, but showing no remorse for her crime and acting like an obnoxious brat. Megan also leaves Waxter. The relationship between staff and the young women at Waxter is for the most part warm and friendly. ''GIRLHOOD,'' a new documentary, is a poignant and often distressing look at the lives of two teenage girls, inmates at the Thomas J. S. Waxter Children's Center for juvenile detention near Baltimore. She tries to reach out to her mother multiple times despite being disappointed numerous times. Today, the Baltimore native is living in North Carolina and acknowledges that she wasn't in a good place during her "Oprah Show" appearance. Shanae was ten years old when she was gang-raped by five boys. a. Shanae is in the juvenile facility for stabbing a friend to death in a fight. A story of mothers and daughters, crimes and consequences, and strength in the face of unimaginable adversity, girlhood is a testament to the faith and struggles of two girls just trying to grow up. Hanna has won numerous writing awards. I didnt see any reason to be as guardedly optimistic as Ms. Garbus seemed to be about stemming this problem through good parenting and realizing that teens are smarter than we think, and sometimes they have no choice but to figure things out by themselves. Filled with a new sense of hope and ambition, Megan got her life together, pursuing an education and focusing on her family. Shot on digital video and Super 8 film over the course of three years, "Girlhood" provides a partial account of what happened to Shanae and Megan under the state's alternately guarded and. Even though her mother has a problem with drugs and prostitution, she is distressed when she does not receive visits or calls from her. REVIEW: GIRLHOOD Documentary On Netflix - WordPress.com AQA Psychology: AS and A-level Year 1. If the movie suggests that a strong mother-daughter bond is the key to a successful rehabilitation, it is too intelligent to belabor that notion. By end fil There are a number of reasons for why Shanae was able to turn her life around whereas Megan was not. How A Violent Teen Who Had Given Up On Life Turned It All Around At the beginning of the documentary, Shanae and Megan are 14 and 16, serving time for murder and assault, respectively. Even though she does not get the chance to further her education, she avoids returning to a life of crime (Garbus, 2003). As Oprah questioned Megan about her current situation and plans for the future, the teen grew visibly agitated. But Garbus way of humanizing, in some instances, obfuscates the complexity of struggle, survival and the bad from the girls girlhood. By what name was Girlhood (2003) officially released in Canada in English?
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